Sibilance is a subset of consonance. Whereas consonance is the repetition of any consonant sound in nearby words (e.g., “Big Ben”), sibilance is the repetition of specific consonant sounds called sibilants. These produce an “s” sound and are usually pronounced as “s,” “sh,” “zh,” and “c” sounds.
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Consonance and assonance are both literary devices relying on the repetition of certain sounds. However, there is a difference between the two.
Whereas consonance involves the repetition of consonant sounds (like “b,” “d,” or “g”), assonance occurs when vowel sounds (like “a,” “i,” or “o”) are repeated within a series of words.
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Both assonance and sibilance are literary devices that involve the repetition of sounds. However, they differ in the type of sound that is repeated.
Assonance is the repetition of vowel sounds in a series of words (e.g., “sweet dreams”), while sibilance is the repetition of sibilant sounds or letters producing an “s” sound (e.g., “she sells seashells”).
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Assonance and rhyme are both literary devices that involve the repetition of similar sounds. However, there are a few differences between them.
With assonance, only vowel sounds are repeated, whereas rhyme involves the repetition of both consonant and vowel sounds. For example, “lake” and “fate” demonstrate assonance, while “late” and “fate” demonstrate rhyme.
Furthermore, assonance usually occurs in the middle of a pair of words, while rhyme usually occurs at the end.
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Double entendres and puns are both figures of speech that involve ambiguity and double meanings. However, they are not exactly the same.
A double entendre uses a word that seems innocuous at the surface level but also carries a second meaning that would be too inappropriate or sexually suggestive to state directly.
On the other hand, a pun also exploits two possible interpretations of a word, but it is usually in a clever or humorous way, without any suggestive meaning.
In short, a double entendre may use a pun. However, not all puns are considered double entendres.
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A triple entendre is a phrase or expression that can be understood in three different ways. It often combines the elements of a double entendre with an extra interpretation. Whereas double entendres are common in literature and everyday language, triple entendres are rarer due to the difficulty of weaving three layers of meaning together.
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A double entendre is a word or expression that carries two possible interpretations with one usually being risqué, humorous, or suggestive.
The term double entendre comes from French double (“double”) and entendre (“to understand”), which literally meant “double meaning” and was used in the senses of “double understanding” or “ambiguity.” The phrase is now obsolete and ungrammatical in modern French.
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A double entendre example can be found in Bob Dylan’s song “Rainy Day Women #12 & 35.”
The song includes the line “everybody must get stoned,” which has a double meaning: it refers to stoning as punishment in the sense that everyone is punished at one time or another, but also to smoking marijuana.
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Some synonyms and near-synonyms for cliché include:
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The word cliché is generally used as a noun (e.g., “I recommended he remove the clichés from his speech”).
However, some dictionaries also list it as an adjective (e.g., “The movie had a cliché ending”). Another adjective form of the word is “clichéd.”
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