Stream of consciousness uses a variety of techniques and comes in different forms. Here are some well-known examples of novels:
- Ulysses by James Joyce
- Mrs Dalloway by Virginia Woolf
- As I Lay Dying by William Faulkner
- Les Lauriers sont coupés by Édouard Dujardin
- Ducks, Newburyport by Lucy Ellmann
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Stream of consciousness writing is a narrative style that presents a character’s thoughts and feelings as they naturally flow through the mind. It often uses long or fragmented sentences, loose punctuation, and sudden jumps between thoughts.
The term can also describe a free-writing exercise in which you write continuously. You don’t stop to edit or organize your thoughts. People use this exercise to overcome writer’s block, brainstorm, or journal.
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Yes, Cliffhanger is the title of a 1993 action thriller starring Sylvester Stallone and directed by Renny Harlin. The film follows Gabe Walker, a mountain rescue expert who becomes entangled in a dangerous mission involving a group of criminals in the Rocky Mountains. Its action scenes and life-threatening situations reflect the literal meaning of the term cliffhanger.
In creative writing, a cliffhanger usually refers to a literary device rather than a specific movie. It describes an ending that leaves a major event unresolved, creating suspense and encouraging the audience to continue watching or reading.
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Cliffhangers come in different types, including danger, revelation, decision, and mystery. They engage the reader so they continue reading the book, or the viewer so they tune in for next week’s episode.
Some examples of cliffhangers are:
- A Pair of Blue Eyes by Thomas Hardy: the character Henry Knight literally hangs from a cliff.
- The Good Place (Season 1): In the season finale, the protagonist Eleanor realizes she has been in the Bad Place.
- The Hunger Games by Suzanne Collins: Katniss and Peeta realize that only one of them can potentially survive the Games.
- Sherlock (Season 2): “The Reichenbach Fall” episode ends with Sherlock’s friends believing he is dead after he falls from a rooftop.
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Antagonists come in different forms. They can appear as classic villains, conflict creators, inanimate forces, internal antagonists, or institutions.
Some examples of well-known antagonists are:
- Voldemort in Harry Potter
- Mr. Darcy in Pride and Prejudice
- The ocean in The Old Man and the Sea
- Macbeth in Macbeth
- The Capitol in The Hunger Games
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Read this FAQ: What are examples of antagonists?
The protagonist is the central character in a story, while the antagonist is the character or force that opposes them.
The protagonist typically has the main goal or faces the central conflict. The antagonist creates obstacles that make achieving that goal more difficult.
These roles are often presented as a hero and villain, but they do not have to be. A protagonist can be morally flawed, and an antagonist does not necessarily have to be evil. The key difference is their relationship to the story’s central conflict. The protagonist pursues the main goal, while the antagonist works against it.
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Read this FAQ: What is the difference between a protagonist and an antagonist?
In literary contexts, an agonist is a character who takes part in the central conflict or struggle of a story and is sometimes used as another term for the protagonist.
An antagonist, by contrast, is the character or force that opposes the protagonist and creates obstacles for them.
The terms come from the Greek agon, meaning “struggle” or “contest,” but they describe different roles in storytelling. An agonist is involved in pursuing the story’s central goals, while an antagonist works against those goals. However, agonist is less commonly used as a literary term than protagonist or antagonist.
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There are many examples of deuteragonists. Some well-known characters are:
- Peeta Mellark in The Hunger Games novels and movies
- Dr. Ian Malcolm in the Jurrasic Park movies
- Fiona in the Shrek movies
- Dory in the Nemo movies
- Dr. Watson in the Sherlock Holmes novels and movies
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The protagonist is the central character of a story, while the deuteragonist is the second most important character.
The protagonist usually drives the main plot and faces the central conflict. The deuteragonist often supports or challenges the protagonist.
A deuteragonist can have their own goals and character arc, but they generally have less narrative importance than the protagonist.
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Pastiches come in many different forms. Common types include single-style, mock-heroic, perspective-shifting, postmodern, and composite pastiches, among others.
Some well-known works include:
- Mrs. Osmond by John Banville
- The Rape of the Lock by Alexander Pope
- Wide Sargasso Sea by Jean Rhys
- The French Lieutenant’s Woman by John Fowles
- Cloud Atlas by David Mitchell
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