Subtext | Definition, Meaning & Examples

Subtext is the underlying or implicit meaning of a conversation, piece of writing, or other form of communication. It is like a hidden layer of meaning that is not directly conveyed but can be inferred by the audience or readers. Subtext plays a crucial role in film, literature, and everyday discussions and allows us a deeper understanding of what we see, hear, or read.

Subtext example
You are debating with your friend about where to go on holiday. You really want to go on a hiking trip but your friend prefers a cultural trip to a city. After going back and forth, your friend gives in and says “That’s fine,” accepting the hiking trip with crossed arms and a tense voice. While they are literally expressing an agreement, the subtext (conveyed through body language and tone) suggests otherwise.

What is subtext?

Subtext is the unspoken part of communication that conveys deeper emotions or ideas. Whenever we try to bridge the gap between what is said and what is intended, we are engaging with subtext. For instance:

  • In theater, we pay attention to pauses, gestures, and the physical positioning of the actors to elicit additional meaning about what is happening on stage.
  • In literature, we “read between the lines,” imagining or interpreting what is not explicitly stated or done—what may be implied, suggested, or hinted at.
  • In everyday communication, we take cues from body language, tone, or context to decipher the unspoken intentions or feelings beyond the actual words we hear.

Recognizing subtext is a vital skill for interpreting both works of art and everyday human interactions. By exploring subtext in fictional works, we engage more deeply with the material, allowing us to fully appreciate what we read or hear. Similarly, understanding subtext in daily life helps us navigate the complexities of interpersonal communication.

Subtext can take different forms, including:

  • Political or social subtext: subtle commentary on social, political, or cultural issues
  • Emotional subtext: the unspoken emotions (e.g., anger, joy, fear) which are conveyed through tone, facial expressions, or body language
  • Sexual subtext: subtle hints of romantic or sexual tension between characters
  • Psychological subtext: implied thoughts, desires, or fears that characters may not even realize
Note
A text consists of the actual words, images, and sounds of a message, while subtext refers to its hidden meaning, which is not directly perceived. Authors often create texts that suggest certain subtexts. However, interpretation varies based on individual experiences and values. Consequently, two people analyzing the same text may arrive at different subtexts.

Why is subtext important?

Subtext plays a crucial role in storytelling as it adds depth and complexity to a story.  More specifically, subtext:

  • Creates authentic dialogues. Real-life conversations are rarely straightforward, as people often say one thing and mean another. By incorporating figures of speech, like euphemisms and double entendres, writers can add layers of subtext to dialogue, making interactions between characters more nuanced and believable.
  • Allows for indirect messages. Subtext enables challenging ideas to be presented in ways that avoid immediate resistance or rejection. Writers can subtly embed messages about real-life issues and introduce concepts without drawing too much attention to them. For instance, the subtext in workplace comedies may serve as a critique of corporate life or office politics, conveyed through satire.
  • Builds dramatic tension. Subtext is a crucial tool for maintaining tension in storytelling. When characters do not openly express their true feelings or thoughts, the audience has to infer what is happening beneath the surface. This uncertainty creates anticipation as the audience becomes engaged in figuring out what the characters are really feeling or thinking. This, in turn, sustains interest and emotional involvement.
  • Encourages active engagement. Subtext makes readers or viewers more involved in the story by giving them clues instead of clear answers. For example, instead of writing “John was sad about his divorce,” the author might show John staring at his empty ring finger, or making dinner for one, both of which carry connotations of loss or loneliness. We, as readers, get to be detectives, picking up these hints and figuring out what they mean.

How to identify subtext

Identifying subtext in storytelling and in real life involves recognizing what is brewing beneath the surface. Here are some strategies that can help you in this process:

  • Understand context. The context gives us clues about the bigger picture, such as themes or societal issues in the story. It is all the information we need to understand what is happening. Once we have a good grasp of the context, we can better interpret actions and dialogue that may hint at underlying ideas and make allusions to themes like power, identity, or politics.
  • Look for contradictions. Subtext often arises from contradictions between what people say and what they do, or between what they say and what they actually mean. Writers often use rhetorical devices such as irony, understatement, and litotes  to highlight these contradictions.
  • Consider motifs. Motifs and symbolism within the story can also convey subtext. A recurring image or theme may represent a character’s internal struggle or foreshadow future events. Metaphors also allow for hidden or layered meanings by drawing symbolic connections.
  • Observe body language and tone. Nonverbal cues—such as crossed arms or fidgeting, facial expressions that do not match the words spoken, changes in tone or speaking speed, and positioning (who stands close to whom)—can reveal emotions or thoughts that are not explicitly stated.

Subtext examples

In the following passage from F. Scott Fitzgerald’s The Great Gatsby, Daisy, who is already married to another man, visits the mansion of her long lost love, Gatsby. On the surface, this is a simple conversation about shirts, indicating the wealth Gatsby has acquired. However, there is a lot more to the scene, due to subtext: Daisy is not crying over the shirts; rather, she is realizing that Gatsby has become someone she could marry, but it is too late.

Subtext example in  F. Scott Fitzgerald’sThe Great Gatsby
“I’ve got a man in England who buys me clothes. He sends over a selection of things at the beginning of each season, spring and fall.”

He took out a pile of shirts and began throwing them one by one before us, shirts of sheer linen and thick silk and fine flannel which lost their folds as they fell and covered the table in many-colored disarray. While we admired he brought more and the soft, rich heap mounted higher—shirts with stripes and scrolls and plaids in coral and apple green and lavender and faint orange with monograms of Indian blue. Suddenly with a strained sound Daisy bent her head into the shirts and began to cry stormily.

“They’re such beautiful shirts,” she sobbed, her voice muffled in the thick folds. “It makes me sad because I’ve never seen such—such beautiful shirts before.”

The phrase “I’m gonna make him an offer he can’t refuse” from the movie The Godfather is not only an iconic line that has entered everyday speech, but also one that is rich with subtext. Each time this line is spoken in the film, violent acts of retribution ensue, allowing the viewer to interpret the real meaning of the phrase.

Subtext example in The Godfather
On the surface level, the phrase “I’m gonna make him an offer he can’t refuse” seems innocuous; it sounds like a generous business proposal or a deal that is too good to turn down.

The subtext of this statement, however, is a warning. What it really means is that the person will be forced to accept the offer. It is an implicit threat of severe consequences if the offer is refused, but the threat is never stated directly. The phrase also reflects a broader theme in the story: how the mafia operates under a facade of civility while using violence to get what they want.

The tension between what is said and what is implied gives power to this line.

Advertisements utilize subtext to convey ideas and values that will resonate with the audience and will ultimately cast the product or service in favorable light.

Subtext example in advertising
 The scene opens with a six-year-old girl sitting in the driver’s seat of a Subaru Legacy, while her father speaks to her from the passenger side window. She smiles patiently as he delivers the “safety talk.” When he hands her the keys, it becomes clear that this is actually a 16-year-old girl preparing for her first ride alone, yet her dad still sees her as his “little girl.”

The subtext in this ad reveals his struggle to reconcile his perception of her as a child with the reality that she is growing up and becoming independent, which resonates deeply with viewers who have experienced similar milestones.

Frequently asked questions about subtext

How does subtext differ from context?

Context provides the background information necessary to understand a story or conversation and includes factors like characters, historical setting, and preceding events. This information is usually clear and direct.

Subtext, on the other hand, is the underlying meaning in a story or piece of dialogue. It is indirect and needs interpretation. While context is about facts and circumstances, subtext is about hidden meanings.

Why is subtext important in storytelling?

Subtext adds complexity to a story, subtly conveying deeper themes and leaving more room for the audience to interpret what they see or hear. This, in turn, makes the experience more engaging and layered for the audience.

What is an example of subtext?

An everyday example of subtext is when someone asks “How are you?” and the response is “I’m fine,” but the person actually means the opposite. Although it sounds like a straightforward answer, “I’m fine” could mean anything from “I’m great” to “I’m not okay, but I don’t want to talk about it” depending on the tone of voice, body language, or context of the conversation.

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Kassiani Nikolopoulou, MSc

Kassiani has an academic background in Communication, Bioeconomy and Circular Economy. As a former journalist she enjoys turning complex information into easily accessible articles to help others.